Hello, Kiko! Greetings from Costa Rica! It is very interesting to me how some people can sing and play complex riffs effortlessly. Do you have any tips or techniques that can help develop that ability? Thanks!
Hello Kiko, while the course breaks down different techniques into discrete days and recommends alternating different techniques every day, do you ever recommend coming up with exercises that can help develop more than one technique at a time? For example, a sweep arpeggio where you also perform some legato, or a pattern that starts off with alternate picking and incorporates hybrid picking for some accents.
Hello Kiko, Where do you get that latĂn influence on your compositions. Can you mention a few artists that you have influenced from to get latĂn sound ( I know Santana is somewhere in there). "Saludos desde Puerto Rico! "
Instead of playing every note in a lydian (mode) scale, are there five notes to choose from which still retain the feel and tonality of the lydian scale to perform them with 2 notes per string? In a pentatonic shapes - lydian pentatonic? Locrian pentatonic? Dorian pentatonic?
Can you show how you adjust your left hand’s position as you move down the fretboard, especially for playing on the E, A and D strings? I sometimes find it difficult to play comfortably on the low strings in frets 12 or up. Thanks!
Noise control on high gain. Some of the practice exercises are tricky to control the noise on the high gain without a string dampener I would love to hear how does Kiko get such an amazing and clean sound.
Some of the hardest ones to control for me are legato playing when the Index thing is not available, tapping and string hoping solos