I want to propose a topic about Riffs. How Dave Mustaine and James Hatfield come up with crazy riffs. Their bad riffs are also better than other guitar players, what is the origin?
Would love to know Kiko’s approach to analyzing music. For example, how do you break down a song like Holy Wars or Imminent Threat to identify modes/scales or what makes them work.
My topic is about pros and cons in picking technique while using rest strokes ( using the adjacent strings to stop the stroke ) when your praticing on a single string .
I’d like Kiko to discuss left hand and arm position and how to adapt and adjust it as you travel up the neck. I sometimes find that playing open positions on lower strings on frets 12 and up can feel a bit uncomfortable and wonder whether there’s any proper, special technique for that that I may be overlooking! Thanks!
Hey guys, this is Honestly not related to modes but… my question is related to hybrid picking & Right hand palm muting while hybrid picking. I tend to want to lift my hand up. Kiko, can you show us how you palm mute while hybrid picking very fast.
Thanks and cheers!
Hi kiko, I face difficulty with finger position after 12 fret while playing modes or scales. Is there any rule as when to stop using our pinky after 12 fret? Thanks kiko.
Hi Kiko! I suggest talking about guitar related injuries and how to deal with them- golfers elbow, tennis elbow, carpel tunnel, etc. The importance of stretching, warming up, cooling down, and anything else. Thanks!
Hey man! Hope this helps: there is no strict way on what fingers to use with each pattern, I recommend finding which fingers work better for you at certain licks and when shifting position. Pay attention at what finger you need to be free for the next note, also take a look into figer rolls (that is the name of the technique, look for it, it is not hard at all, it just needs planning and practice).
When you approach the last frets on the guitar you need less reach, as you have probably noticed by now.
Kiko, could you walk us through your procedure for when you come up with crazy fast licks? ( for example the shreddy arpeggio verse in “Black ice”) Do you start slow and build off a good sounding progression?
That shred blows my mind and it goes for a nice amount of time.
If you could share how you write something like that and give us tips on how to approach longer phrases. I would be super appreciative!!!
Forgive me if this has been talked about before; I’m new here. But I’m really interested in an in-depth look into the setup that Kiko used to get the wonderful sounds that we can hear in Open Source.
I can find this rig rundown, but I imagine it’s different from the Open Source setup, since that’s for Megadeth live performances.